![]() 11th St.).įounded by Chef Pace Webb and her husband Chris Georgalas, Daddy's blends classic Southern flavors with Asian touches. ![]() Daddy's Chicken Shack is now slinging sandwiches and chicken tenders at the corner of N. Campbell is suitably strange, but his one-note character also doesn’t give him much room for nuance.Ī California-based chicken sandwich restaurant has opened its first Houston location. Matichak is effective, but is hamstrung by her character’s strange decisions. Curtis, as she has done throughout the series, goes all out, showing that she is still the consummate horror victim/hero. The film ends with a ludicrous-but-entertaining orgy of violence that puts an exclamation mark on Laurie’s 44-year-long character arc. Michael, who exists in a hulking form that only communicates in grunts and wheezing breaths, remains an intimidating figure, especially since his mask (and maybe his body?) was burned a couple of films ago. There are several times where the story seems to be heading down an expected path, only for it to veer off into somewhat clever territory. ![]() To the film’s credit, it does manage to surprise a decent amount. Corey also has multiple run-ins with a group of unruly teens, one of whom has a thick New York accent despite being in Illinois, a situation that makes it painfully obvious what their fate will be. There’s a lot of setup for Allyson and Corey’s relationship, a surprising amount for a pairing that never makes any sense. However, apart from the standard opening scene, the film actually takes a while to get to the bloodshed. If all you care about is blood, gore, and somewhat creative kills, then Halloween Ends has a good amount to offer. As Corey falls deeper into his angry – and perhaps murderous? – funk, it’s only a matter of time before Michael Myers comes back into the picture… Laurie empathizes with him and Allyson develops a quick crush on him, blinding them to his obviously damaged mind. Her new lack of fear brings Corey Cunningham (Rohan Campbell), a young man who had been accused of killing a boy he was babysitting, into their lives. Another theater in Austin has got the technology, and the company is in talks to install seats in a movie theater in San Antonio. Santikos Silverado 19 is the 13th North American theater to sport the seats, and Sherlock Holmes will be the ninth feature film they've coded. Only about a third of most movies' duration has accompanying motion - intense action flicks can have more 2012 kept people moving for half the film - and moviegoers can adjust the intensity or shut off the motion all together.ĭ-BOX began 15 years ago making speakers, and found success in the high-end home theater industry before expanding to commercial theaters last April. The clip I watched of the upcoming Sherlock Holmes has me planning on trekking back for the opening, even at $17 a ticket.Īnd fear not, it's not constant commotion. The base moves along with what you see on screen, but the chairs also vibrate with the soundtrack. Motion designers work frame-by-frame for nearly 400 hours per film to write code that tells the seats how to move. I was braced for a rollercoaster-esque ride, but was pleasantly surprised by the chairs' subtlety. Created by a Montreal-based company, (the name is a playful jab at the founders' accents) the seats move with the action of the movie. The theater was the first in Houston to install D-BOX motion movie seats, and I was the first of my friends to try them. Tomball is not somewhere I venture unless lured by something exceptional, so I determined to hold the theater's new D-BOX movie seats to exacting standards. I was skeptical as I pulled up to the massive Silverado 19 movie theater, complete with giant cowboy façade.
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